Tag Archive | "PLA Art Troupes"

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First PLA Soldier Landing in Taiwan? Chinese army singer to perform in this Island


October.29 (China Military news cited from AFP) -- A Chinese military singer attached to an elite unit in charge of missiles and nuclear weapons will perform in taiwan this week, she said on her blog Wednesday.

Chen Sisi (right fourth)

"I hope to deepen cultural and artistic exchanges across the taiwan Strait," said Chen Sisi, of the Second Artillery Corps under the People's Liberation Army.

The performance by Chen, immensely popular on the mainland for her folk songs, will take place in the Sun Yat-sen Memorial Hall in the heart of Taipei on Saturday, according to the website operated by the venue.

Chen Sisi in Uniform

Chen's status as a member of the armed forces made her application for an entry permit to taiwan "much more complicated" and it took nearly a year to finalise preparations for her trip, she told taiwan's TVBS news channel.

Born in 1976, Chen reached a global audience when she performed in last year's Beijing Olympics closing ceremony.

A visit of this kind would likely have been impossible before Beijing-friendly Ma Ying-jeou became president here last year, leading to a drastic improvement in ties.

taiwan and China split in 1949 after a civil war and have been governed separately ever since, but Beijing still sees the island as part of its territory awaiting reunification.

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The Peony Pavilion, a splendid pantomime produced by PLA Art Troupe


The Peony Pavilion (simplified Chinese: 牡丹亭; traditional Chinese: 牡丹亭; pinyin: mǔdāntíng) is a play written by Tang Xianzu in the Ming Dynasty and first performed in 1598 at the Pavilion of Prince Teng. One of Tang's "Four Dreams", it has traditionally been performed as a Kunqu (昆曲/崑曲) opera, but Chuan (川) and Gan (赣/贛) opera versions also exist. It is by far the most popular play of the Ming Dynasty, and is the primary showcase of the guimendan (闺门旦/閨門旦) role type. All Kun theatre troupes include it in their repertoire. Recent adaptations have sought to inject new life into one of China's best-loved classical operas, though such efforts have met with opposition from the Kun opera traditionalists.

Recent adaptations of The Peony Pavilion and allusions in popular music have revived interest in Kunqu, an art form that had been in danger of disappearing into obscurity. In 2001, UNESCO proclaimed Kunqu as a "Masterpiece of the Oral and Intangible Heritage of Humanity," yet the secrets of that heritage were kept by only a few aging masters in even fewer schools and institutions. Bai Xianyong's adaptation of The Peony Pavilion that premiered in 2004 helped rejuvenate this tradition. Bai, a Chinese scholar at the University of California, Santa Barbara, and his colleagues - scholars and performers, some brought back from retirement - spend five months editing Tang's script.

Now you see in these photos are about one dancing version of the "The Peony Pavilion" and performed by PLA Front-line Art Troupe. The main female role in this Chinese traditional pantomime Du Liniang is performed by Hu Qinxin (胡琴心), a well-known dancer in PLA.

I have to say, it is splendid!

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